Finale Champions League 2009

For Uefa Champions League Final in Olimpico Stadium in Rome , SBP Spa OB company of Rome set on the field 38 cameras HD exclusively equipped with Fujinon HD lenses supplied by Ianiro Italy.

The Olimpico Stadium in Rome hosted on May 27, the most important football event of the season, the Final between FC Barcelona and Manchester United FC for the Uefa Champions League 2009 title

RAI Radio Televisione Italiana, is the Host Broadcaster of the event and the TV Production company SBP Spa set on the field an impressive gear of cameras :

38 cameras HD,
including 6 slow motion,
1 wescam and 2 spidercam.

The slow motion disk recorders for the highlights are 12.

SBP engaged for this major event the two flag-ships of its OB fleet : OB 20 (24 cameras) and OB6 (20 cameras) plus two smaller units for extra feeds to Sky Italy and Uefa.

All cameras on the Field are equipped with FUJINON HD lenses, property of SBP Spa, were supplied for OB20&6 By the Italian importer of Fujinon IANIRO.

11	Wide angle HA13x4.5
2	on Steadycam, on pitch level for action (cam 4,5)
2	on tripod, for internal beauty shot (left corner high 45) and on Montemario hill, for suggestive external shots (cam 22,31)
2	1 hung, remoted for players moving from lockers and 1 handheld, for players waiting in tunnel (cam 29,30)
2	on Supertower cam left and right for replays (cam 33,34)
2	placed on Building H for external Stadium shots (cam 36,37)
1	handheld, on pitch level for players entrance and warm up (38)

The lenses layout was kindly provided for this Newsletter Ianiro/Fujinon by courtesy of SBP Spa, and cannot be published without express consent Should you wish more information please contact us. Thank you

Fujinon Europe/Ianiro support SBP with additional back up lenses and technical support on the field(back up XA101x8.9PF, XA88X8.8PF e ENG HA23x 22x 13x).

Member of a major Media European Group SBP has been a leader in the Italian market for television filming and post-production for over 30 years…15 OB Vans film major world events in music, sports and entertainment, as well as quick, basic journalistic services, in SD and HD.

3	Tele ENG HA22x7.8
1	on tripod, high camera platform for game (cam 1)
2	hung, on top Goal line left and right for replays (cam 8, 9)
2	on tripod, on pitch level for Flash areas and pre-match presentation (cam 26, 27)
1	on tripod, for players arrival and Press conference room (cam 32)
1	on tripod, as main back up camera (cam 38bis)

9	Super tele EFP XA87x9.3
1	on tripod, middle stand for actions and replays (cam 2)
1	on dolly, low platform, pith level for actions and replays (cam 3)
2	on dolly, high low, pitch level for left and right corners actions and replays (cam 10, 11)
1	on tripod, pitch level, for reverse angle replays (cam 14)
1	on dolly, low platform, for reverse main stand replays (cam 17)
2	on tripod, pitch level for reverse replays (cam 24, 25)
1	on tripod, middle stand central position for close up actions and replays (cam 28)

2	Super tele EFP XA101x8.9PF Precision Focus On dolly, pitch level, reverse angle left and right replays (cam 15, 16)

4	Tele EFP HA27x6.5
2	on tripod, high position left and right for replays tactical description (cam 6, 7)
2	on tripod, pitch level behind left and right for replays (cam 12, 13)

4	Tele EFP XA72x9.3
2	on dolly, low platform, for reverse main stand left and right bench shots (cam 18, 19)
2	on tripod, high behind platform left and right for actions and tactical replays (cam 20, 21)


	NB: Wescam e Spidercam have on board built in optics